763 Royalty-Free Audio Tracks for "The Force"

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

Anthem of Byelorussian SSR (Instrumental) - Парад 7 Ноября Минск

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

A real poot with a forceful, trumpet-like sound. Processed with audacity for a more consistent tone and volume.

The Airmen of Note Lieutenant Colonel Alan C. Sierichs, Commander and Music Director arranged by Senior Master Sgt. Joe Jackson

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

A large exercise ball being inflated using an accordion-style hand pump, which produces a whistling sound as air is forced into the nearly full rubber type ball. There is a reverb to the ringing of the air as it spreads in the ball.

Crunching march with tune fading in and out. Hard road battalion stuff. Rendered @48khz 32-bit in reaper with markers for all you morphagene fans out there. Enjoy the boots!.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

Keys in door lock - trying to open a locked door with a different key. Recorded with audio-technica boom mic with zoom h4n.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

An abrupt, forceful poot (fart) that sounds a bit like a trumpet blow. Processed with audacity for more consistent tone and volume.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

This is the arrival chime for an elevator in japan. I believe it is very similar if not identical to one of the sound effects from the uk tv series "the prisoner". Recorded on sony ux-80. Built-in stereo mics. 192kbps mp3. Amplified. Leading and trailing silence forced. Audacity.

This is the sound of an old tankless toilet, ca. 1945, with a flushometer mechanism being forced to cycle water for an extended period of time after flushing. Recorded with a zoom h1n and it's internal microphones.

Mix-up of various sounds to create the ambiance of a nuclear implosion. Good for using in spacial environments. This one is the low frequency version. Both of them can be played simultaneously to variate the effect.

John Philip Sousa's "The Invincible Eagle", the interim march of the United States Space Force, performed by the U.S. Army Band

An excerpt from The Indian Queen performed by the 561st Air National Guard Band of the West Coast and the 562nd Air National Guard Band of the Southwest. Track 1 from Flag of Stars (2010).

Sfx conversion edited: adobe + fxs + mastered.

A strangely sinister english male voice on a megaphone telling everyone to go back into their homes with a scary giggle.

Early morning, crossing the bay of biscay in a force ten gale, the whole cabin (high up in the ship) creates a symphony of sounds. Engine noise in the background, plus a cacophony of different stresses on the woodwork and fittings of the cabin.

The sound of avalanche in denali national park Alaska. Great for and avalanche, landslide, mudslide, or torrent like sound.

I clicked it so hard, that if i clicked it half as hard twice at the same time, it would be the same volume!!! there's quite a bit of background noise on this one because i am the king of maximum gain. Bzzhzhhshshhzhzhhhzzzz.

Third movement of Gustav Holst's Second Suite in F for Military Band, featuring the folk song "A Blacksmith Courted Me".

The air show highlights each year's canadian national exhibition in toronto, ontario, canada. The army airplanes make a fantastic noise. This short recording captures surprised people when the planes go right above them.

First movement of Gustav Holst's Second Suite in F for Military Band. Includes tunes Morris Dance, Swansea Town and Claudy Banks.

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

This is either a recurring fantasy or a bit of the real thing. Is it the latter?. Of course, it couldn't be. I really couldn't do this stuff on my own. Let's just say i know a guy who knows a guy ;-d.

Fourth movement of Gustav Holst's Second Suite in F for Military Band, based on the folk song of "Dargason" whilst "Greensleeves" clearly wovens into the fantasia in the end.

Second movement of Gustav Holst's Second Suite in F for Military Band, an arrangement of "I'll Love My Love".

National Anthem of Brasil during WWII Bombings in Italy (1944) - Brazilian Expeditionary Force Português: Hino Nacional Brasileiro Durante bombardeios da Segunda Guerra Mundial na Itália (1944) - Força Expedicionária Brasileira

I recorded my voice while watching and listening to stuff to force real reactions out of me. This way i can have real voice clips for stock instead of trying to fake it. This was while watching something sad, but something cute happened that made me giggle.

The United States Air Force Band joined with percussionists from the Marine Band, Army Band, and Coast Guard Band perform a percussion rendition of the American patriotic classic, "When Johnny Comes Marching Home". Arranged by USAF Band composer and staff arranger, Master Sgt. John Bliss. Done in celebration of Veterans' Day. Credits: Colonel Don Schofield - Executive Producer Master Sgt. Adam Green - Producer Chief Master Sgt. Dennis Hoffmann, Master Sgt Jeremy Koch - Videographers Technical Sgt. Tim Hilgert - Video Editor Technical Sgt. Jim Woolf - Audio Engineer Musicians: Master Sgt. Adam Green, The United States Air Force Band “Chief’s Own” - marimba, vibraphone, xylophone, orchestral bells, field drum Sergeant 1st Class Sidonie McCray, The United States Army Band “Pershing’s Own” - vibraphone, xylophone, orchestral bells Master Sgt. Kenneth Wolin, “The President’s Own” United States Marine Band - xylophone, shekere, vibraphone, orchestral bells, field drum Staff Sgt. Michael Hopkins, “The President’s Own” United States Marine Band - orchestral bells, cowbell, vibraphone, xylophone Musician Petty Officer 1st Class Nathan Lassell, The United States Coast Guard Band - drum set, vibraphone, xylophone, orchestral bells

The march "Joyce's 71st New York Regiment" by Thornton Barnes Boyer (1881), played by the United States Navy Band directed by Ned Muffley for the 1978 album "Tour de Force" (reproduced in "75th Anniversary Collection", 2000).

Short recording of a royal air force boeing chinook helicopter flying overhead at night in windy conditions, hankley common, surrey, england. First, the engine note of the turbines can be heard and as it turns, the characteristic rotor 'slap'. It then fades into the distance. Recorded on a zoom h2 with a sennheiser mono gun mike.

Sakura performed by the Airmen of Note of the United States Air Force Band. Track 1 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Arirang performed by the Airmen of Note of the United States Air Force Band. Track 6 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

The sound of kicking in a door. Based on cc0 http://opengameart. Org/content/35-wooden-crackshitsdestructionsmade for http://dnt. Dnteam. Org/http://upload. Wikimedia. Org/wikipedia/commons/thumb/f/fa/broken_door_lock. Jpg/512px-broken_door_lock. Jpg.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

Well, this was a happy accident. I was trying to record my neighborhood with birds, etc, but of course living in los angeles that was practically impossible, so instead i captured this great helicopter passing directly overhead. Recorded with: audio technica bp 4025, sound devices 702t.

Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

Skates on ice: here is a very specific sound effect. The metallic slash through ice when it is being skated on. There are multiple variations of this in this track due to the amount of contact the blade of the skate has to the ice and also the force being put into the movement. It is a sharp and cold sound. Recorded with the zoom h6, rode ntg.